陆逸轩：我会尽量不去想比赛，因为比赛本身是一种非常不自然的演奏状态。在之后的音乐会中，当我多次演出同样的曲目时，反而能更加自由地演奏它们。比赛中的压力太大了，会让你充满恐惧，害怕出错、害怕忘谱，这种状态其实很难真正享受音乐。对音乐本身来说，其他的噪音并不会改变什么，但对于职业环境、公众目光，以及作为一名职业钢琴家本身，那又是另外一回事。
But those tricks, I believe, are quite clear to everybody that has worked extensively with automatic programming in the latest months. To think in terms of “what a human would need” is often the best bet, plus a few LLMs specific things, like the forgetting issue after context compaction, the continuous ability to verify it is on the right track, and so forth.
。搜狗输入法2026是该领域的重要参考
（作者为中国社会科学院学部委员、台湾史研究中心主任）
When hijacking the Audio constructor, I also used Object.defineProperty with a specific, paranoid configuration: